Robert Taylor Prints . com

All of the superb range of aviation and naval art prints by renowned artist Robert Taylor, in one easy to navigate gallery.  Listing all prints from the RAF, Luftwaffe, United States Air Force and more - all of Robert Taylor's prints in one place.  Robert Taylor Prints . com show all available aviation and naval prints published over the years by the Military Gallery, available from Cranston Fine Arts, the Military and Aviation Art Print Company. Order with Confidence with Cranston Fine Arts aviation art publisher and distributor for over 24 years.


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Publishing historical art since 1985

 

Aviation Print Packs
Tony Iveson Pilot Signed Lancaster Bomber Prints by Robert Taylor and Nicolas Trudgian.
Target Bearing 270 by Robert Taylor.
Target Bearing 270 by Robert Taylor.
Sinking the Tirpitz by Nicolas Trudgian.

Sinking the Tirpitz by Nicolas Trudgian.
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Pilot Signed Spitfire Aviation Prints by Robert Taylor and Ivan Berryman.
Canadian Wing by Robert Taylor

Canadian Wing by Robert Taylor
The Hunting Party by Ivan Berryman. (E)

The Hunting Party by Ivan Berryman. (E)
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Luftwaffe Battle of Britain Signature Prints by Robert Taylor and Nicolas Trudgian.
Air Armada by Robert Taylor.
Air Armada by Robert Taylor.
Fighter Legend - Adolf Galland by Nicolas Trudgian.

Fighter Legend - Adolf Galland by Nicolas Trudgian.
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Battle of Britain Spitfire Prints by Ivan Berryman and Robert Taylor.
Angels Three Zero by Robert Taylor
Angels Three Zero by Robert Taylor
41 Squadron Spitfires by Ivan Berryman.

41 Squadron Spitfires by Ivan Berryman.
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Ju87 Stuka Battle of Britain Aviation Art by Ivan Berryman and Robert Taylor.
Stragglers End by Ivan Berryman.

Stragglers End by Ivan Berryman.
Open Assault by Robert Taylor.

Open Assault by Robert Taylor.
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Latest Robert Taylor  Releases : 

 <p align=center><i>Rising Sun is normally a companion print to The Legend of Colin Kelly.  We have one available to sell individually.</i></b><br>

Rising Sun by Robert Taylor.
 P-40s of the AVG Flying Tigers 3rd Pursuit Squadron - Hell's Angels - surprise the enemy with a deadly strafing attack on a Japanese forward air-base in China, summer 1942. With their Allison engines screaming at full throttle, AVG Aces Tommy Haywood and Robert Smith, lead the charge as the Hell's Angels leave a trail of havoc and destruction behind them. Robert Taylor has created a masterpiece to honor the Flying Tigers and the release is autographed by legendary Aces including four of the AVG's most respected pilots who, since signing, have sadly passed away, giving even greater meaning to this edition.

Flying Tigers - The Stuff of Legend by Robert Taylor.
 In one of the boldest precision raids of World War II, the valiant men of 617 Squadron breached the mighty dams of Germany. They were the Dambusters. On the night of 16/17 May 1943, nineteen Lancasters and 133 men from the recently formed 617 Squadron carried out one of the most spectacular precision raids in the history of air warfare. This highly secret undertaking went under the code name of Operation Chastise, but the world would come to know it simply as the Dambuster Raid.
Operation Chastise by Robert Taylor. (GS)
 As they cleared the surrounding hills the valley unfolded to reveal the black waters of the lake glistening in the crystal clear moonlight.  And then, away in the distance, they saw the target they had come to destroy – the Möhne Dam.  The largest dam in Europe, the fortress-like walls of Möhne held back nearly 140 million cubic metres of water essential to the industry and factories of the Ruhr.  The Air Ministry had long ago decided that if the Möhne dam, and the two other major Ruhr dams – the Eder and Sorpe – were destroyed, it could deliver a massive blow to the Nazi war machine.  But cracking open the mighty dams would require exceptional flying skills; and so, on 21 March 1943, a new squadron was formed specifically for the task, the only time this ever happened in Bomber Command.  Known as 617 Squadron and led by Wing Commander Guy Gibson, it was not only the squadron that was unique, so was the weapon they would be using – Upkeep – a cylindrical, hydrostatic 'bouncing' bomb.  The brainchild of Barnes Wallis, Upkeep was designed to skip across the surface of the water, sink against the dam's massive wall, and explode with enormous force at a precise depth.  In Robert Taylor's sensational new painting Guy Gibson and Mick Martin draw the enemy's fire as 'Dinghy' Young clears the dam's parapet seconds after releasing his bomb.  A few moments later Young's bomb will successfully detonate against the dam leaving it mortally wounded allowing David Maltby in AJ-J to finish the task.  With the Möhne Dam breached Gibson, with the remaining crews, will turn south to repeat the operation at the Eder Dam.
The Dambusters - Last Moments of the Möhne Dam by Robert Taylor.

 

FEATURED SIGNATURE

Lt Colonel Roger Haberman

Roger Haberman served with VMF-211. He flew at Guadalcanal from 9th October 1942 to January 1943. Later he flew the F4U Corsair, becoming an Ace with 7 victories.

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All Our Latest Aviation Releases : 

 Godwin von Brumowski's 13th victory against an Italian Macchi seaplane over Grado, in northern Italy.

Lucky 13 by Ivan Berryman.
 B-17G 2107027 is depicted limping home to Bassingbourn with the starboard outer propeller feathered following a raid during the Summer of 1944.  'Hikin' for Home' served with the 322nd Bomb Sqn, 91st Bomb Group as part of the 8th Air Force.  Escorting her home is Major George Preddy, the highest scoring P-51 pilot and sixth in the list of all-time top American Aces, seen here flying 413321 'Cripes a Mighty 3rd'.

Hikin' for Home by Ivan Berryman.
Wellington Mk.III X3671 of 156 Sqn piloted by P/O Fox is depicted laying mines in the Estuary of the Loire on the night of 16th April 1942 in the Bay of Biscay.  Just three days later, P/O Fox failed to return from a similar 'Gardening' sortie whilst flying Wellington X3485.

A Spot of Gardening by Ivan Berryman.
 Wing Commander Brendan 'Paddy' Finucane is shown flying Spitfire Vb BM308 of No.154 Sqn based at Southend in 1942.

Tribute to Wing Commander Brendan 'Paddy' Finucane by Ivan Berryman.
 On Wednesday 22nd June 1938 a new sound was heard over the humid streets of Singapore as four Bristol Pegasus radial engines heralded the arrival of the RAF's newest flying-boat.  For the men of 230 Squadron gathering on the slipway at Seletar, the approaching aircraft looked formidable and even from a distance, they could spot the powerful array of .303 machine guns it possessed.  230 Squadron had been chosen as one of the first units to be re-equipped with the world's most advanced flying boat - the Short Sunderland.  Richard Taylor's painting is a tribute to the outstanding Sunderland and the men who flew it in the Far East.  As the sun beats down on tropical island anchorage a Mk III Sunderland from 230 Squadron unloads essential supplies at a forward base on an archipelago deep in the Indian Ocean.  A second aircraft, breaking a patrol, prepares to land.
Tropical Duties by Richard Taylor.
 Brimming with overconfidence, few on board the Japanese carrier Sōryū noticed the SBD Dauntless bombers gathering overhead.  Within a matter of minutes a few courageous US Navy pilots would change the course of history.  Anthony Saunders' new action-packed painting recreates the scene from the Battle of Midway as the SBD Dauntless pilots pull out of their death-defying dives having delivered their 1000lb bombs perfectly on target with three direct hits on the Japanese carrier.  Already there is utter chaos aboard the Sōryū as exploding ammunition and igniting fuel erupt onto the flight deck from the hangars below.  Secondary explosions rip through the ship, fires rage beyond control and her hull shudders to contain the violent inferno.  The Sōryū is doomed.
Midway - Attack on the Soryu by Anthony Saunders.
 Colonel Steve Pisanos and his wingman in their P-47 Thunderbolts take an opportunity to attack a German train in France, 1944.

Devastating Thunder by Brian Bateman.
 The words from Air Vice-Marshal the Hon. Ralph Cochrane., newly appointed as AOC of No.5 Group, to the young Wing Commander were simple enough.  <i>I can't tell you the target</i> he continued <i>but you've got to fly low-level, on the deck, and at night.  As far as aircrews are concerned, I want the best - you choose them.  And by the way... I want to see your aircraft flying on four days</i>.  Guy Gibson, the highly decorated Wing Commander concerned, had 173 operations behind him and was due to be rested when the unexpected call to see Cochrane had come.  <i> Would you like to do one more trip?</i> he'd been asked.  <i>What kind of trip?</i> he replied.  <i>An important one</i> was all Cochrane would say and now, two days later, he was being asked to form a squadron.  What the special target might be Gibson could only speculate but, whatever it was, he realised it would be dangerous.  Cochrane had given him four days.  Within an hour he'd selected the aircrew; he knew most of them personally and had flown with several before.  There was no doubt they were the very best in Bomber Command.  Exactly four days later Squadron X - soon to become 617 Squadron - was ready at RAF Scampton.  Many familiar faces were there to meet him : amongst the pilots he spotted Hoppy Hopgood, Dave Shannon from Australia, and Canadian Lewis Burpee from his own 106 Squadron. together with Dinghy Young whom he'd chosen as a flight commander.  The tall, lugubrious figure of New Zealander Les Munro was there along with two other pilots from 97 Squadron, David Maltby and the big, beefy, American pilot Joe McCarthy with his Bomb-Aimer George Johnny Johnson.  His B flight commander, Henry Maudsley was there, as was Australian Mick Martin, the expert in low-level flying.  Every one of the nineteen crews who would fly the mission was there and seven weeks of intensive low-level flying lay ahead before, on the afternoon of 16th May 1943, Gibson finally revealed the target - that night they were to attack the mighty dams of the Ruhr valley.

Pathway to the Ruhr by Anthony Saunders.

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Signatures

Some popular pilot and aircrew signatures from our database of over 2,000 signatures!

Gunther Rall

Johnnie Johnson

Bud Anderson

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Selected prints with Free Shipping

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Stuka by Robert Taylor (AP)

Stuka by Robert Taylor (AP)
Price : £330.00
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They Landed by Moonlight by Robert Taylor.

They Landed by Moonlight by Robert Taylor.
Price : £200.00
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Bomb Away! The Third Assault by Robert Taylor. (B)

Bomb Away! The Third Assault by Robert Taylor. (B)
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A Time for Heroes by Robert Taylor (AP)

A Time for Heroes by Robert Taylor (AP)
Price : £395.00
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Rabaul - Fly For Your Life by Robert Taylor. (B)

Rabaul - Fly For Your Life by Robert Taylor. (B)
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The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

 

 

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